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Old, new songs forever Young
Legendary rocker delivers in first of back-to-back shows
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Neil Young perfoms before a sold-out Centennial Concert Hall Monday night.
Neil Young has never been one to stay on the beaten path.
He's an iconoclast who follows nobody. He does what he wants, when he wants and remains an unpredictable artist who has managed the rare feat of continuing to be fascinating, diverse and relevant for more than four decades while never latching on to a trend, fashion or fad.
ConcertReview
Neil Young
Monday, July 26, 2010
Centennial Concert Hall
Attendance: 2,400
Four stars out of five
Song List
My My, Hey Hey (Out of the Blue)
Tell Me Why
Helpless
You Never Call
Peaceful Valley
Love and War
Down by the River
Hitchhiker
Ohio
Sign of Love
Leia
After the Gold Rush
I Believe in You
Rumblin'
Cortez the Killer
Cinnamon Girl
Old Man
Walk With Me
It's been a long, winding, and sometimes confounding, journey, and once again the Twisted Road that is Young's life, and name of his current tour, brought him back to the Centennial Concert Hall Monday for the first of two shows in the city where he lived as a teenager and formed his first bands before moving to Toronto, and eventually Los Angeles, to follow his musical muse.
His last show in Winnipeg was an incendiary affair with a full band at the MTS Centre in October, 2008, but this time around it is just Young as it was the last time he played a solo show at the same venue in 1972.
And true to form, the 64-year-old was again offering something different for the sold-out crowd at the Concert Hall, some who paid $250 for the privilege, with a selection of new songs set for a forthcoming release mixed in with old favourites that have stood the test of time.
The stage was packed with an assortment of instruments and amps, including two pianos and a pump organ along with chandeliers and a wooden statue of an Aztec warrior.
Young walked onto the stage to a standing ovation, acknowledged the reception with a bow, sat down and immediately launched into an acoustic version of My My, Hey Hey (Out of the Blue) off the 1979 classic Rust Never Sleeps.
He stayed on the acoustic guitar for Tell Me Why and a gorgeous version of Helpless before a trio of mellow new songs that showed off his storytelling skills starting with You Never Call, a melancholy ballad about the recent death of his friend Larry (L.A.) Johnson, who is now on vacation, according to Young.
"You're in heaven, we're working," he sang.
The crowd sat in rapt silence and hung on every world of Peaceful Valley, a twangy tale about the bloody settling of the American West and its environmental aftermath and the laidback Love and War, a topic he has explored numerous times over the years to great effect, even if he declares, "When I sing about love and war I don't really know what I'm singing."
He pulled out Old Black -- his 1953 Les Paul -- for a typically heavy and distorted version of the spine-chilling Down by the River and stayed in the zone for Hitchhiker, an autobiographical song he debuted in 1992, but has never officially released.
He strapped on his Gretsch White Falcon as he dismantled the Crosby, Stills, Nash and Young staple Ohio and rebuilt it from the ground up sans harmonies, giving it a slight menacing vibe before another new one, Sign of Love, a melodic love song built on power chords.
Young didn't introduce any of the songs, new or old, and rarely acknowledged the crowd.
"This is a song for all the little people who couldn't be here tonight because they're too little," he said while seated at a piano for bouncy childhood ditty Leia.
To numerous shouts of "Neil we love you!" and, for whatever reason, just plain "Neil!" he said "I'm not really here," before sitting at the pump organ for a carnivalesque take on After the Gold Rush, then moving over to a grand piano for a stripped down I Believe in You.
It's impossible to know how the new songs will sound when they are officially released -- they could be the same or radically altered -- but one of the highlights of the new selections was Rumblin', a tense, unpredictable mid-tempo rocker that veered from atmospheric, throbbing verses that reverberated through the hall to a chugging chorus punctuated by occasional feedback.
It was that moment, something you wouldn't hear or feel clearly at a venue other than a theatre, that made last night's show special and should evoke the same feelings when Young returns to the concert hall to do it all again tonight.
Young finished the show with Cinnamon Girl, Old Man and Walk With Me.
rob.williams@freepress.mb.ca
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14 Comments
Posted by:Dave Shorr
July 29, 2010 at 11:19 AM
Ester, agreed 100%. He played amazingly but it was absolutely ruined by loogans who thought it was an ACDC concert. People in this city sometimes just do not know how to behave. It's believed that Neil has some level of contempt for this city and that concert likely sealed the deal for him. I'd be very surprised if he returned. It was flat out embarrassing.
BTW, I posted a youtube link in my last post which wasn't included, rendering my point nonsensical.
Posted by:Esther
July 29, 2010 at 1:05 AM
Roots Alive: I'm glad that you like Neil Young, and like many of us, paid quite a bit for this rare opportunity to see him perform live in his home town. I don't know about you, but your Bohemian tone seems to indicate that you, like myself, had to scrape together the cash, and sink further into debt to be able to attend this concert.
I agree with you, there is nothing wrong with howling, etc when a performer comes on stage; but (as other posters have stated), when the applause dies down and/or the performer begins, it is flat out rude and disrespectful to shout through their performance. There are exceptions to this rule; such as loud rock songs, etc, but screaming during soft acoustic songs like "Helpless" is not cool.
The kind of screaming that I heard during these moments was undoubtedly alcohol-fueled screams (a la kegger frat boy). Have some respect for the musician and think about others. I put myself in the poorhouse and put off a trip to see my family because I didn't want to miss this concert, and it was ruined.
Posted by:Dave Shorr
July 28, 2010 at 5:56 PM
@Roots CreativeEvolution is right. Case in point, Simon and Garfunkel in 1966 singing Sounds of Silence. The crowd applauds when they recognize the song and are silent for the duration. The crowd was filled with buffoons last night.
Posted by:abyme
July 28, 2010 at 1:34 PM
Neil Young is very classy and blew me away - again. He walked on stage and played and played and said a few words about babies and played some more and that was all I wanted because that's all that matters. Neil seems very humble and that's so inspiring to me. His voice is so good and pretty. I am lucky and grateful. And yes, Bert Jansch's opening act was a great way to start the night. I don't think I had ever heard such sounds coming out of an acoustic guitar before. A name I will now remember. Never too late!
Great, great show.
Posted by:RootsAlive
July 28, 2010 at 11:44 AM
@creative evolution: subvert the ticket prices and the dominant paradigm of passive entertainment, by....(how radical is this)....singing along to your favourite old time classic. Watch footage of a Simon and Garfunkel or Pete Seeger concert from even 30 years ago and you'll see that society belonged to a collective and people shared space of concerts with the performer and each other. Today: a bunch of socially-paranoid people who are irritated by the slightest deviation from what they hope and expect: the product of too many nights sitting home alone with your great sound system being individually entertained as you wish. It is YOU who should stay home. I was only a partial "howler monkey" with maybe one "Welcome Home" at the beginning not the constant screeching from the balcony. But I did (GASP) sing along on Old Man and would do it again and again as I am not conditioned into a narrow behaviourist model for public appearances as it seems are you, apparently the result of a highly anti-social or class-based idea of how to act in the company of society.
Posted by:creativeevolution
July 28, 2010 at 1:25 AM
I agree, tonight's audience was only marginally better than last night's. When it gets quiet, it's not your chance to shout out to Neil Young about some stupid poem you wrote or whatever. I almost cringed every time the clapping would die down, because I knew some drunk fool would shout something. I've been to a lot of concerts and these two were particularly bad for the "howler monkeys" (i like that term, jason), but I suspect that there are howler monkeys at every show, but most shows are loud and so you don't notice them as much.
Anyway, Neil was great, I just wish the dozen or so (of 2400) would have stayed at how and hooted and hollared at Neil Young youtube videos....
Posted by:Jason
July 27, 2010 at 11:42 PM
Potential solution to the problem of obnoxious concert-goers: cut off the booze. Tonight's show suffered the same audience problems. The quieter songs were drowned in the wooping of the howler monkeys in attendance.
Posted by:Lu25
July 27, 2010 at 6:15 PM
I agree,we paid to hear Mr. Young not the annoying man and woman singing in harmony,louder than Mr.Young.
These people should stay at home and put their names in teh new pilot project by Global for Winnipeg people who sing ,dance,etc.
Please stay at home for those annoying people please.
Mr.Young should have a park named after him and a statue.
Posted by:Earl Tunnley
July 27, 2010 at 4:56 PM
This completely annoying woman sat beside me at yesterday's show and diminished my enjoyment of the show. She kept on waving at him and wanted him to talk to the audience. She was extremely patronizing to Young by verbally patting him on the back with her comments.
Some people go above and beyond what passes for acceptable audience behavior.
Posted by:creativeevolution
July 27, 2010 at 2:58 PM
Personally, I find it annoying when performers ask audience members to sing along, and would prefer they never did it. My point was not about the invite.
I had some idiot behind me belting out all the songs, not just Old Man which, you're right, many people sang along to. I suppose you think talking during movies is good, too, and texting while driving.
Come on, this is common sense concert etiquette.
I find it ironic that you're trying to make this into some capitalism/socialism thing considering the price of the tickets for this show.
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